Giacomo Casanova is arguably the world’s most legendary womanizer, but he was also an intellect, a gambler, and a scofflaw – all the right character traits around which to design a lusty ballet, which is exactly what choreographer Kenneth Tindall has done. Tindall, a former principal dancer is a Freelance award winning Choreographer and Director specializing in Narrative Dance. His Casanova offers a larger-than-life ballet experience like none other thanks to opulent dance underscored by sexual tension generated by composer Kerry Muzzey’s attention-grabbing music. Guest Conductor Julian Pellicano returns to lead Orlando Philharmonic Orchestra as it performs live music for this production.

Set in 18th-century Venice, Italy, Tindall’s lavish vision includes iconic venetian masquerades, period costumes and sets along with big, big choreography that tells the story of how Casanova’s plans for a career in Holy Orders got derailed by his own decadence.

Created in the UK, this award-winning production has not yet been seen in North America, but its tour here is made possible through a collaboration between Orlando Ballet, Colorado Ballet and Milwaukee Ballet. Says Artistic Director Jorden Morris, “This is the future of making big, expensive, lavish ballets more accessible to the public as a compliment to the standard classics already available.”

VIP Ticket Packages
$525 per 2-person or $1,050 per 4-person experience

• Premium reserved loge seating on the grand or center tier
  
• Choice of gourmet pre-show snacks
  
• Complimentary beverages (alcoholic and non-alcoholic)*
  
• Priority access lane for additional food and beverage purchases
  
• Exclusive souvenir poster signed by members of the cast
  

^*Package includes a choice of white wine, red wine, prosecco, sparkling wine, bottled water, or soft drinks. One per person. Subject to availability

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Prices, shows, artists, dates and times are subject to change at any time without notice. The views and opinions expressed within this show are those of the artist(s) and do not necessarily reflect the official policy or position of the Dr. Phillips Center.