Cleveland Orchestra

Cleveland Orchestra

Supported by Experience Kissimmee
Dr. Phillips Center Presents
Jan 27 | 7:30 PM
Jan 27
7:30 PM

                 One of the world's greatest orchestras. One night in Orlando.

The Cleveland Orchestra, under the leadership of Franz Welser-Möst since 2002, is one of the most sought-after performing ensembles in the world. Year after year, the ensemble exemplifies extraordinary artistic excellence, creative programming and community engagement. In recent years, The New York Times has called Cleveland “the best in America” for its virtuosity, elegance of sound, variety of color and chamber-like musical cohesion.

Founded by Adella Prentiss Hughes, the Orchestra performed its inaugural concert in December 1918. By the middle of the century, decades of growth and sustained support had turned the ensemble into one of the most admired around the world.

The 2026–27 season marks Franz Welser-Möst’s 25th and last season as Music Director. The previous 2025–26 season was a period in which The Cleveland Orchestra earned unprecedented acclaim around the world, including a series of residencies at the Musikverein in Vienna, the first of its kind by an American orchestra and a number of celebrated opera presentations.

Since 1918, seven music directors — Nikolai Sokoloff, Artur Rodziński, Erich Leinsdorf, George Szell, Lorin Maazel, Christoph von Dohnányi, and Franz Welser-Möst — have guided and shaped the ensemble’s growth and sound. Through concerts at home and on tour, broadcasts and a catalog of acclaimed recordings, The Cleveland Orchestra is heard today by a growing group of fans around the world.

PROGRAM
Strauss: Metamorphosen

Beethoven: Symphony No. 5

 

 

Prices, shows, artists, dates and times are subject to change at any time without notice. The views and opinions expressed within this show are those of the artist(s) and do not necessarily reflect the official policy or position of the Dr. Phillips Center.

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"The best in America — virtuosity, elegance of sound, variety of color and chamber-like musical cohesion."

The New York Times

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